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In a dark and red room, a corner of a particular forgotten history can be found: a span of historical events stretching from the first gene-edited human babies in China in 2018 and a global pandemic in 2020, until the birth of Genetic Salon a thousand years later. This history celebrates human genetic engineering as the core of the interpretation of the history through a display of video works, text and archival objects. However, it appears that shortly afterwards the Genetic Salon closed down and this historical narrative was forgotten. The exhibits in this room are dusty, and some of them become fragmented. The projector mostly reflects a red screen, does the projector get broken?
Yu Shuk Pui Bobby(余淑培)is a Hong Kong visual artist and who now based in Oslo. Her practice is focused on body culture in different contexts through the filter of her own experience. In recent years she has been examining the topic of human genetic engineering, looking at how this technology shapes our cognition and understanding of the body. Through the media of performance, text, installation, sculpture , and video, she aims to create scenarios that engage, and eventually, the audience become participants in her work.
K4 gallery is supported by the Norwegian cultural council.