Yin-Ju Chen
Extrastellar Evaluations III : Entropy : 2580
13.12 - 15.12
Man models the Way of earth; earth models the Way of heaven; heaven models the Way of Tao; Tao models the Way of nature.
- Tao Te Ching
Extrastellar Evaluations III : Entropy : 2580 contemplates human civilization and humanity’s future through an investigation of space physics, extraterrestrial myths, and cosmography. By using hypotheses and prophecies founded upon a choreography of fragments of history, as well as mass media imagery and information, eponymous video Extrastellar Evaluations III : Entropy : 25800 attempts to reveal when exactly doomsday takes place. This video further adapts the notion of "entropy" from the second law of thermodynamics, and connects it to the avarice and belligerence of human nature. Interspersed in the video are the narrations of a non-human intelligence named “Ra” concerning that everything is the distortion of the one infinite Creator. In Extrastellar Evaluations III : Entropy : 2580 Yin-Yu Chen seeks to narrate – or, perhaps, excavate the narrations of – the universe so that viewers understand the geological, computational and technological realities synonymously.
Artist Yin-Ju Chen interprets social power and history through cosmological systems. Utilizing astrology, sacred geometries, and alchemical symbols, she considers human behavior, nationalism, imperialism, state violence, totalitarianism, utopian formations, and collective thinking. Recently, she has been exploring the material effects of spiritual/ shamanic practices and the metaphysical potentialities of consciousness. She has participated in many international exhibitions and film festivals, such as the 5th Ural Industrial Biennial of Contemporary Art (RU, 2019), International Film Festival Rotterdam (NL, 2018, 2011), Transmediale (DE, 2018), Liverpool Biennial (UK, 2016), Forum Expanded at 66th Berlinale (DE, 2016), Biennial of Sydney (AU, 2016), "Yin-Ju Chen: Extrastellar Evaluations" (US, 2016), "Action at a Distance–Yin-Ju Chen Solo Exhibition" (TW, 2015), "The Starry Heaven Above and the Moral Law Within" (TW, 2015), Shanghai Biennial (CN, 2014), "A Journal of the Plague Year" (HK, KR, US, TW 2013-2014), Taipei Biennial (TW, 2012).
STRUKTURA is a cross-disciplinary initiative for research and practice within the framework of visual arts, media archeology, literature and philosophy. STRUKTURA is an exploration of how visual media and information technologies contribute to the ordering and production of time, where both past and future exist in a constantly malleable present. This five-month programme sprawls across virtual online environments and multiple physical venues in Oslo. It consists of exhibitions, film screenings, group readings, public event series and a club night.
STRUKTURA is an independent project initiated and developed by Lesia Vasylchenko.
Design and web development by Magnus Andreas Hagen Olsen. Graphic design by Abirami Logendran.
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